António Poppe
Her work is featured in the following collections: Museu do Chiado, Serralves Foundation, Museu de Arte Contemporânea do Funchal, EDP Foundation, Coleção António Cachola and also the Coleção Banco Privado. She received the Prémio União Latina prize in 2001.From the principles of assemblage, intervened appropriation and abstract construction, the artist creates objects that appeal to the careful reading of their own processes, surprise and intrinsic nature. Isolated or conceived for dialogues in the space, they have the presence and the tactile appeal of sculpture, but also the resourcefulness of drawing and the intriguing challenge of their latent symbolic reference.
and performance, which he has presented since 1996 in various cultural institutions and galleries such as the Serralves Museum, MAAT, Culturgest, Gulbenkian, Carmona e Costa Foundation, Soares dos Reis Museum, ZDB Gallery, 111 Gallery, Casa Fernando Pessoa, GIAJG, among others. He has published five books: Torre de Juan Abad (Assírio e Alvim), Livro da Luz (Documenta), Medicin (Douda Correria), Come Coral (Douda Correria), O Agitador e a Corrente (written with Mumtazz and published by Mariposa Azual).
Poet, visual artist, performer, lives and works in Lisbon. He completed the advanced visual arts course at Ar.Co, in Lisbon, and studied drawing and sculpture at the Royal College of Arts, London. He completed a master's degree in Performing Art and Cinema at the School of the Art Institute of Chicago, with a scholarship from Calouste Gulbenkian Foundation and the Luso American Development Foundation.
He is the author of a hybrid work between the visual arts, poetry
and performance, which he has presented since 1996 in various cultural institutions and galleries such as the Serralves Museum, MAAT, Culturgest, Gulbenkian, Carmona e Costa Foundation, Soares dos Reis Museum, ZDB Gallery, 111 Gallery, Casa Fernando Pessoa, GIAJG, among others. He has published five books: Torre de Juan Abad (Assírio e Alvim), Livro da Luz (Documenta), Medicin (Douda Correria), Come Coral (Douda Correria), O Agitador e a Corrente (written with Mumtazz and published by Mariposa Azual).
Artist Bio
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Poet, visual artist, performer, lives and works in Lisbon. He completed the advanced visual arts course at Ar.Co, in Lisbon, and studied drawing and sculpture at the Royal College of Arts, London. He completed a master's degree in Performing Art and Cinema at the School of the Art Institute of Chicago, with a scholarship from Calouste Gulbenkian Foundation and the Luso American Development Foundation.
He is the author of a hybrid work between the visual arts, poetry
Artist Bio
Artist Bio
Poet, visual artist, performer, lives and works in Lisbon. He completed the advanced visual arts course at Ar.Co, in Lisbon, and studied drawing and sculpture at the Royal College of Arts, London. He completed a master's degree in Performing Art and Cinema at the School of the Art Institute of Chicago, with a scholarship from Calouste Gulbenkian Foundation and the Luso American Development Foundation.
He is the author of a hybrid work between the visual arts, poetry
and performance, which he has presented since 1996 in various cultural institutions and galleries such as the Serralves Museum, MAAT, Culturgest, Gulbenkian, Carmona e Costa Foundation, Soares dos Reis Museum, ZDB Gallery, 111 Gallery, Casa Fernando Pessoa, GIAJG, among others. He has published five books: Torre de Juan Abad (Assírio e Alvim), Livro da Luz (Documenta), Medicin (Douda Correria), Come Coral (Douda Correria), O Agitador e a Corrente (written with Mumtazz and published by Mariposa Azual).
Things are not completely defined. There is no previous ideology able to define the world as it is now. The indeterminacy that remains in the painting has to do with this indeterminacy that I think exists in the things around us.
João Queiroz in interview with Miguel Nabinho