Cristina Lamas
2008
7 JANUARY - 2 MARCH 2008
Interview
Exhibition View
Artworks
Exhibition Opening
Her work is featured in the following collections: Museu do Chiado, Serralves Foundation, Museu de Arte Contemporânea do Funchal, EDP Foundation, Coleção António Cachola and also the Coleção Banco Privado. She received the Prémio União Latina prize in 2001.From the principles of assemblage, intervened appropriation and abstract construction, the artist creates objects that appeal to the careful reading of their own processes, surprise and intrinsic nature. Isolated or conceived for dialogues in the space, they have the presence and the tactile appeal of sculpture, but also the resourcefulness of drawing and the intriguing challenge of their latent symbolic reference.
In 2006 he "resorted to a new medium, photography, to build a body of work that nevertheless reflects the main characteristics of his practice: examination of historical issues, references to the Western pictorial tradition, and figuration as a stylistic signature".
His 2011–12 works include large-scale 3D pieces made with campaign tent cloths and the sound installation "Letters of Love and Longing", based on the letters exchanged between a soldier in Portuguese Guinea and his girlfriend in Lisbon: "sounding like a radio soap opera the text locates us in time and in space, showing us the dimension of feelings: Portugal and Guinea, nineteen-sixties and Colonial War, love and death, jealousy and hope".
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Botelho was born in Lisbon, Portugal.
He studied architecture at the Lisbon School of Fine Arts from 1968–76, and painting at the Byam Shaw School of Art (1983–85) and the Slade School of Fine Art (1985–87), London. In 2005 he held a retrospective exhibition at the Modern Art Centre, Calouste Gulbenkian Foundation, Lisbon.
Botelho's work has always been concerned with the socio-political realm, and his 1969 collages focused on the May 1968 Paris uprisings and the Vietnam War.
His early 1980s works were often closely linked to his own life, speaking of loss or separation. Simultaneously, he searched for his roots in the past, and he found himself reflecting on how the present seemed haunted by the memories of 41 years of oppression (Salazar and Caetano's dictatorship – 1933–1974).
Artist Bio
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Her work is featured in the following collections: Museu do Chiado, Serralves Foundation, Museu de Arte Contemporânea do Funchal, EDP Foundation, Coleção António Cachola and also the Coleção Banco Privado. She received the Prémio União Latina prize in 2001.From the principles of assemblage, intervened appropriation and abstract construction, the artist creates objects that appeal to the careful reading of their own processes, surprise and intrinsic nature. Isolated or conceived for dialogues in the space, they have the presence and the tactile appeal of sculpture, but also the resourcefulness of drawing and the intriguing challenge of their latent symbolic reference.
Botelho was born in Lisbon, Portugal.
He studied architecture at the Lisbon School of Fine Arts from 1968–76, and painting at the Byam Shaw School of Art (1983–85) and the Slade School of Fine Art (1985–87), London. In 2005 he held a retrospective exhibition at the Modern Art Centre, Calouste Gulbenkian Foundation, Lisbon.
Botelho's work has always been concerned with the socio-political realm, and his 1969 collages focused on the May 1968 Paris uprisings and the Vietnam War.
His early 1980s works were often closely linked to his own life, speaking of loss or separation. Simultaneously, he searched for his roots in the past, and he found himself reflecting on how the present seemed haunted by the memories of 41 years of oppression (Salazar and Caetano's dictatorship – 1933–1974).
In 2006 he "resorted to a new medium, photography, to build a body of work that nevertheless reflects the main characteristics of his practice: examination of historical issues, references to the Western pictorial tradition, and figuration as a stylistic signature".
His 2011–12 works include large-scale 3D pieces made with campaign tent cloths and the sound installation "Letters of Love and Longing", based on the letters exchanged between a soldier in Portuguese Guinea and his girlfriend in Lisbon: "sounding like a radio soap opera the text locates us in time and in space, showing us the dimension of feelings: Portugal and Guinea, nineteen-sixties and Colonial War, love and death, jealousy and hope".
Artist Bio
From the evocation of a past - individual and collective - Manuel Botelho questions the nature and experiences of the images, and explores its porosity, the differences and intersections between reality and fiction.
Sérgio Mah, A Memória Projectiva, Album Exhibition Paper