contemporary art gallery
Cabrita
Luisa Cunha
Oh!
5 JUNE - 16 JULY 2008
Interview
Artworks
Her work is featured in the following collections: Museu do Chiado, Serralves Foundation, Museu de Arte Contemporânea do Funchal, EDP Foundation, Coleção António Cachola and also the Coleção Banco Privado. She received the Prémio União Latina prize in 2001.From the principles of assemblage, intervened appropriation and abstract construction, the artist creates objects that appeal to the careful reading of their own processes, surprise and intrinsic nature. Isolated or conceived for dialogues in the space, they have the presence and the tactile appeal of sculpture, but also the resourcefulness of drawing and the intriguing challenge of their latent symbolic reference.
This conviction has had its origin in a practice that the artist has developed from an early age, being trained in observing without any aim in mind, just by letting things enter, in a state of complete receptiveness, by imposing no frontiers, and no judgements (as much as possible). First finding things and then seeking them.
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
At the basis of her work is a very clear and emotional notion of relativity of life itself, and consequently of conventions, of the meaningful difference between interior and exterior, of private and public, and of the fragmentary nature of the "non-place", of power, of time and place dimensions, and that of the discourse.
Artist Bio
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Her work is featured in the following collections: Museu do Chiado, Serralves Foundation, Museu de Arte Contemporânea do Funchal, EDP Foundation, Coleção António Cachola and also the Coleção Banco Privado. She received the Prémio União Latina prize in 2001.From the principles of assemblage, intervened appropriation and abstract construction, the artist creates objects that appeal to the careful reading of their own processes, surprise and intrinsic nature. Isolated or conceived for dialogues in the space, they have the presence and the tactile appeal of sculpture, but also the resourcefulness of drawing and the intriguing challenge of their latent symbolic reference.
At the basis of her work is a very clear and emotional notion of relativity of life itself, and consequently of conventions, of the meaningful difference between interior and exterior, of private and public, and of the fragmentary nature of the "non-place", of power, of time and place dimensions, and that of the discourse.This conviction has had its origin in a practice that the artist has developed from an early age, being trained in observing without any aim in mind, just by letting things enter, in a state of complete receptiveness, by imposing no frontiers, and no judgements (as much as possible). First finding things and then seeking them.
Artist Bio
The work is simply the materialization of a gesture and an ordinary, trivial, fleeting, thought that disarms us, that can not support the semantic burden associated with the history of art, and particularly with its iconographic dimension. The museological burden, in other words, that hangs over the world of art.
Sara Antónia Matos, O Material Não Aguenta, Júlio Pomar, Luisa Cunha
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