Noé Sendas
Sendas studied at the School of the Art Institute of Chicago, USA; Royal College of Arts, London; Arco and Atelier Livre, Lisbon. He has attended residencies at the: Künstlerhaus Bethanien, Berlin; Casa Velazquez, Madrid; Cite des Arts, Paris; Peggy Guggenheim, Venice and Atelier Real Lisboa. He has exhibited works in Yerba Buena for the Arts, USA; Kunsthalle Bonn, Germany; Akademie der Kunst, Berlin; Le Plateau, Paris; MEAC/ MUSAC/ Botin Foundation/ Foundation IC and Casa America in Spain; In Portuguese Museums and Institutions such as: Calouste Gulbenkian Foundation, Museum Berardo, Museu Bordalo Pinheiro e Museu da Cidade em Lisboa; Culturgest, Porto; CAVE, Coimbra; Museum de Tavira, Algarve.
Noé Sendas (born in Brussels, 1972, lives and works in Berlin) began presenting his work in the late nineties. He resorts to different means of expression: video, sculpture, collage, drawing and photography. Explicit and implicit references to artists and literary, cinematic, or musical creations are part of his raw materials.
Rooted in cinematic and literary references, his images depict ghostly, unnerving figures whose heads and limbs appear to be invisible, or which habe seemingly blended into furniture or walls. It is a fascinating body of work, that follows themes of abstracting and partly erasing the human body through photography explored by those ever-present titans, John Baldessari and Guy Bourdin, and the less well-known but equally brilliant American sculptor Robert Gober.
Artist Bio
Sendas studied at the School of the Art Institute of Chicago, USA; Royal College of Arts, London; Arco and Atelier Livre, Lisbon. He has attended residencies at the: Künstlerhaus Bethanien, Berlin; Casa Velazquez, Madrid; Cite des Arts, Paris; Peggy Guggenheim, Venice and Atelier Real Lisboa. He has exhibited works in Yerba Buena for the Arts, USA; Kunsthalle Bonn, Germany; Akademie der Kunst, Berlin; Le Plateau, Paris; MEAC/ MUSAC/ Botin Foundation/ Foundation IC and Casa America in Spain; In Portuguese Museums and Institutions such as: Calouste Gulbenkian Foundation, Museum Berardo, Museu Bordalo Pinheiro e Museu da Cidade em Lisboa; Culturgest, Porto; CAVE, Coimbra; Museum de Tavira, Algarve.
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Noé Sendas (born in Brussels, 1972, lives and works in Berlin) began presenting his work in the late nineties. He resorts to different means of expression: video, sculpture, collage, drawing and photography. Explicit and implicit references to artists and literary, cinematic, or musical creations are part of his raw materials.
Rooted in cinematic and literary references, his images depict ghostly, unnerving figures whose heads and limbs appear to be invisible, or which habe seemingly blended into furniture or walls. It is a fascinating body of work, that follows themes of abstracting and partly erasing the human body through photography explored by those ever-present titans, John Baldessari and Guy Bourdin, and the less well-known but equally brilliant American sculptor Robert Gober.
Artist Bio
Noé Sendas (born in Brussels, 1972, lives and works in Berlin) began presenting his work in the late nineties. He resorts to different means of expression: video, sculpture, collage, drawing and photography. Explicit and implicit references to artists and literary, cinematic, or musical creations are part of his raw materials.
Rooted in cinematic and literary references, his images depict ghostly, unnerving figures whose heads and limbs appear to be invisible, or which habe seemingly blended into furniture or walls. It is a fascinating body of work, that follows themes of abstracting and partly erasing the human body through photography explored by those ever-present titans, John Baldessari and Guy Bourdin, and the less well-known but equally brilliant American sculptor Robert Gober.
Sendas studied at the School of the Art Institute of Chicago, USA; Royal College of Arts, London; Arco and Atelier Livre, Lisbon. He has attended residencies at the: Künstlerhaus Bethanien, Berlin; Casa Velazquez, Madrid; Cite des Arts, Paris; Peggy Guggenheim, Venice and Atelier Real Lisboa. He has exhibited works in Yerba Buena for the Arts, USA; Kunsthalle Bonn, Germany; Akademie der Kunst, Berlin; Le Plateau, Paris; MEAC/ MUSAC/ Botin Foundation/ Foundation IC and Casa America in Spain; In Portuguese Museums and Institutions such as: Calouste Gulbenkian Foundation, Museum Berardo, Museu Bordalo Pinheiro e Museu da Cidade em Lisboa; Culturgest, Porto; CAVE, Coimbra; Museum de Tavira, Algarve.
Artist Bio
Curriculum vitae
I am a voyeur. Or to be more precise I tend to cast the viewer as a voyeur. It’s all about showing and hiding, what one leaves to be seen or unseen or completed by the viewers gaze.
Noé Sendas interview for Lines Magazine