Ana Jotta
Her work is featured in the following collections: Museu do Chiado, Serralves Foundation, Museu de Arte Contemporânea do Funchal, EDP Foundation, Coleção António Cachola and also the Coleção Banco Privado. She received the Prémio União Latina prize in 2001.From the principles of assemblage, intervened appropriation and abstract construction, the artist creates objects that appeal to the careful reading of their own processes, surprise and intrinsic nature. Isolated or conceived for dialogues in the space, they have the presence and the tactile appeal of sculpture, but also the resourcefulness of drawing and the intriguing challenge of their latent symbolic reference.
Ana Jotta has build her work in a sequence of breakthroughs that embody some sort of erasement: of her own previous footsteps; of modernist ideology and post-modern mythologies; and of the notion of authorship - either by deconstructing it or rebuilding it, she has attempted to dismantle the idea of a coherent or univocal style. Through a bare economy of means, her work shows a great sense of intelligence and wit. With Ana Jotta, you can always expect the unexpected.
2013 - Grande Prémio Fundação EDP;
2014 - Prémio AICA;
2017 - Rosa Shapire Award, Kunsthalle, Hamburg.
Ana Jotta was born in Lisbon in 1946, where she works and lives. After studying at Lisbon´s Fine Arts School and Brussels' École d'Arts Visuels de l'Abbeye de la Cambre, Worked as an actress and stage designer (1976-79) with "Produções Teatrais" (University Theatre, Lisbon). From the 1980's onwards, she focused her activity on the visual arts and since the early nineties has been a regular presence at major art fairs and biennales (ARCO, Brussels, Johannesburg, Barcelona, etc.). In 2005, she had the retrospective exhibition Rua Ana Jotta at the Museu de Serralves.. In 2014, Ana presented an anthological A Conclusão da Precedente at Culturgest, Lisbon.
Artist Bio
Patrícia Garrido graduated in painting at the Escola Superior de Belas-Artes in Lisbon (ESBAL). She has participated in numerous group exhibitions which include: Mais Tempo, Menos História, Serralves Foundation, Porto (1996); O Império Contra-Ataca, Galeria ZDB, Lisbon (1998); Squatters, Galeria do CRUARB, Porto (2001). Solo exhibitions include: T1, Serralves Foundation, Porto (1998); Móveis ao Cubo, Desenhos ao Acaso, TREM Galeria Municipal de Arte, Faro (2009); Peças Mais ou Menos Recentes, EDP Foundation, Museu Nacional Soares dos Reis and Galeria Fernando Santos, Porto (2013).
Ana Jotta was born in Lisbon in 1946, where she works and lives. After studying at Lisbon´s Fine Arts School and Brussels' École d'Arts Visuels de l'Abbeye de la Cambre, Worked as an actress and stage designer (1976-79) with "Produções Teatrais" (University Theatre, Lisbon). From the 1980's onwards, she focused her activity on the visual arts and since the early nineties has been a regular presence at major art fairs and biennales (ARCO, Brussels, Johannesburg, Barcelona, etc.). In 2005, she had the retrospective exhibition Rua Ana Jotta at the Museu de Serralves.. In 2014, Ana presented an anthological A Conclusão da Precedente at Culturgest, Lisbon.
Artist Bio
Curriculum vitae
Artist Bio
Ana Jotta was born in Lisbon in 1946, where she works and lives. After studying at Lisbon´s Fine Arts School and Brussels' École d'Arts Visuels de l'Abbeye de la Cambre, Worked as an actress and stage designer (1976-79) with "Produções Teatrais" (University Theatre, Lisbon). From the 1980's onwards, she focused her activity on the visual arts and since the early nineties has been a regular presence at major art fairs and biennales (ARCO, Brussels, Johannesburg, Barcelona, etc.). In 2005, she had the retrospective exhibition Rua Ana Jotta at the Museu de Serralves.. In 2014, Ana presented an anthological A Conclusão da Precedente at Culturgest, Lisbon.
Ana Jotta has build her work in a sequence of breakthroughs that embody some sort of erasement: of her own previous footsteps; of modernist ideology and post-modern mythologies; and of the notion of authorship - either by deconstructing it or rebuilding it, she has attempted to dismantle the idea of a coherent or univocal style. Through a bare economy of means, her work shows a great sense of intelligence and wit. With Ana Jotta, you can always expect the unexpected.
2013 - Grande Prémio Fundação EDP;
2014 - Prémio AICA;
2017 - Rosa Shapire Award, Kunsthalle, Hamburg.
To become a young artist, even if you're old, you cannot be afraid, you have to be cost-effective and on point.
- Money is always welcome, but the honors you should not trust. The Art Scene is the same everywhere. Isn't this the global world?
Ana Jotta in interview with Victor Pinto da Fonseca in Arte Capital